Get all 44 Sissy Spacek releases available on Bandcamp and save 80%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Threshold, Mechanical Abstraction, Tempo Scalato, Electric Field In Parallel, Reslayer, Prismatic Parameter, Featureless Thermal Equilibrium, Besiege, and 36 more.
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Drag Their Feet
18:53
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Nod To Elsewhere
17:19
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Lucy & Aaron
by Aaron Dilloway & Lucrecia Dalt
supported by 12 fans who also own “Ballast”
Come for the nightmarish dreamscape, stay for the surprisingly tender melodies buried under the layers of rust and psychedelic clatter.
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At Wave Farm Plus
by Aaron Dilloway
supported by 12 fans who also own “Ballast”
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Black Lucifer Rising
by Controlled Death
supported by 10 fans who also own “Ballast”
I cannot praise this album enough. This album is absolutely terrifying! The many starts and stops creates this very h settling tension. Each start expands on the stopper idea previously. It’s like the music equivalent of walking through thick fog while passing out multiple times throughout trying to find a place to orientate yourself. There may or may not be something sinister in that fog, but you don’t want to stick around to find out. Bought the vinyl so I summon the fog demons through spe
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Cataclysmic System Binding Loss
by Carbon In Prose
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose.
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Subjugation Of A Ghost
by Ask The Trees
Composer and improviser Erik Schroeder (Ask The Trees) is joined by Legendary Pink Dots' Edward Ka-Spel on this spectral experimental work.
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On this uncompromising LP, the UK outfit NOISE use haunting drone, hissing static and stark electronics to explore repressed trauma.
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Buck II: Where Do You Want It? (NRR119)
by Buck Young
supported by 9 fans who also own “Ballast”
Pushed play for the Giant Scorpion-Killing-Red State-Gumby-Dog People, but continued listening for the unhinged, psychedelic, country-western, cactus-flavoured, sound-looping, Zappaesque weirdness and apparent lack of conventional awareness that this is not how accessible music is made. I'm odd that way.
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